Cinema, Migration, and the US: An Introduction
Keywords:cinema, migration, American migrations
AbstractIntroduction to the Special Section “Cinema, Migration, and the US.”
Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 2005.
Ballesteros, Isolina. Immigration Cinema in the New Europe. Bristol: Intellect, 2015.
Bertellini, Giorgio. “Film, National Cinema, and Migration.” The Encyclopedia of Global Human Migration, Vol. 3. Edited by Immanuel Ness and Marlou Schrover. Chichester: Wiley-Blackwell, 2013. 1504-1509.
---. “migration/immigration: USA”. Encyclopedia of Early Cinema. Edited by Richard Abel. London: Routledge, 2005. 619-624.
Castonguay, James. “Film and Broadcast Media.” American Immigration: An Encyclopedia of Political, Social and Cultural Change. Edited by James Ciment and John Radzilowski. London: Routledge, 2015. 361-365.
Cortés, Carlos E. “The Immigrant in Film.” Hollywood’s America: Twentieth-century America Through Film. Edited by Steven Mintz and Randy W. Roberts. Chichester: Wiley-Blackwell, 2010. 354-363.
Erens, Patricia. The Jew in American Cinema. Bloomington: Indiana University Press, 1984.
Ezra, Elizabeth and Terry Rowden, edited by. Transnational Cinema: The Film Reader. London: Routledge, 2010.
Loshitzky, Yosefa. Screening Strangers: Migration and Diaspora in Contemporary European Cinema. Bloomington: Indiana University Press, 2010.
Naficy, Hamid. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton: Princeton University Press, 2001.
Rawle, Steven. Transnational Cinema: An Introduction. London: Palgrave, 2018.
Shohat, Ella and Robert Stam. Unthinking Eurocentrism: Multiculturalism and the Media. New York: Routledge, 1994.
Sklar, Robert. Movie-Made America: A Cultural History of American Movies. New York: Vintage Books, 1994.
Stam, Robert. World Literature, Transnational Cinema, and Global Media: Towards a Transartistic Commons. London: Routledge, 2019.
Stewart, Jacqueline N. Migrating to the Movies: Cinema and Black Urban Modernity. Berkeley: University of California Press, 2005.
Trifonova, Temenuga. The Figure of the Migrant in Contemporary European Cinema. New York: Bloomsbury, 2020.
Winokur, Mark. American Laughter: Immigrants, Ethnicity, and 1930s Hollywood Film Comedy. New York: St. Martin’s Press, 1996.
LicenseIperstoria is an Open Access journal.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 BY-NC License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of their work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal. We require authors to inform us of any instances of re-publication.