Wales: (Still) a Problem of Translation? Language Choice in Wales at the End of the Anglo-Welsh Era
DOI:
https://doi.org/10.13136/2281-4582/2016.i7.684Abstract
In 1996 the poet R. S. Thomas claimed that ‘my country, Cymru, to be understood presents a problem of translation, and if it is to maintain a separate and valuable identity, it must continue to do so.’ Thomas, a native speaker of English, and a self-taught user of Welsh, seemed to be questioning the value of English to reflect the reality of Wales, and with it his own status as an ‘Anglo-Welsh’ poet. This inner conflict mirrored the language situation in Wales, and the lack of language choice facing writers, since native Welsh speakers carried the psychological onus of remaining faithful to the ‘old language’, and non-Welsh speakers had no choice but to use English.
But the last two decades have seen considerable social, political, and linguistic change in Wales. An extensive bilingual education policy, the emergence of a Welsh language television channel, and the establishment of the Welsh assembly, seem to have halted the decline in the number of Welsh speakers, and bridged the gap between the two linguistic communities. Today writers in Welsh and in English share the same national platform (Llenyddiaeth Cymru - Literature Wales) and an increasing number of bilingual writers choose to use both languages, often translating their own work. In this paper I shall look back over a century of Anglo Welsh writing, and suggest that entrenched language attitudes in Wales, and the attendant ‘impossibility of translation’, have given way to a vibrant bilingual literary scene as Welsh writers look beyond the hills and valleys of an Anglo-Welsh tradition to the world at large.
References
Chatwin, Bruce. On the Black Hill. London: Jonathon Cape, 1982.
Dafydd, Fflur. Twenty thousand saints. Talybont: Alcemi, 2008.
Davies, Norman. The Isles: a History. London: Macmillan, 1999.
Evans, Caradog. My People. London: Andrew Melrose, 1915.
Gower, Jon. Dala’r Llanw. Llandysul: Gomer, 2009.
Gower, Jon. Uncharted. Llandysul: Gomer, 2011.
Gramich, Kate. “Cymru or Wales?: Explorations in a Divided Sensibility.” Studying British Cultures. Ed. Susan Bassnett. London: Routledge, 1997. 101-116.
Harris, John. “The Banned Book of the Year.” Introduction to Caradog Evans, My People, (2nd ed.). Bridgend: Seren, 2003.
Humphreys, Emyr. A Toy Epic. London: Eyre and Spottiswoode, 1958.
Jones, David. In Parenthesis. London: Faber and Faber, 1937.
Jones, Glyn. The Dragon has Two Tongues: Essays on Anglo-Welsh Writers and Writing (2nd ed). Cardiff: University of Wales, 2001.
Lewis, Alun. Ha! Ha! Among the Trumpets. London: George Allen and Unwin, 1945.
Meredith, Christopher. Shifts. Bridged: Seren, 1985.
Mitchell, Philip. Translator’s preface to Caradog Prichard, One Moonlit Night, Edinburgh: Canongate Books, 1995.
Owen, Llwyd. Faith, Hope and Love. Talybont: Alcemi, 2010.
Parry, Thomas, ed. The Oxford Book of Welsh Verse. Oxford: Oxford University, 1963.
Price, Angharad. The Life of Rebecca Jones (trans. Lloyd Jones). London: Maclehose, 2012
Prichard, Caradog, trans. Philip Mitchell One Moonlit Night. Edinburgh: Canongate Books, 1995.
Prichard, Caradog. Un Nos Ola Leuad Denbigh: Gwasg Gee, 1961.
Raine, Kathleen, Defending Ancient Springs New York: Oxford University, 1967.
Rhys, Keidrich, ed. Modern Welsh Poetry. London: Faber and Faber, 1944.
Thomas, Dylan. Under Milk Wood. London: Dent, 1954.
Thomas, R. S. Wales: a problem of translation. London: Adam Archive Publications Centre for 20th Century Cultural Studies, 1996.
Welsh, Frank. The Four Nations: a History of the United Kingdom. Yale University, 2003.
Williams, Raymond. Border Country. London: Chatto and Windus, 1960.
Downloads
Published
Issue
Section
License
Copyright (c) 2016 David Newbold
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Iperstoria is an Open Access journal.- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 BY-NC License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of their work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal. We require authors to inform us of any instances of re-publication.