La gabbia è piena. Orange is the New Black e il Complesso Carcerario Industriale
DOI:
https://doi.org/10.13136/2281-4582/2019.i14.418Abstract
Valeria Gennero’s “The Cage is Full” focuses on the role played by the Tv series Orange is the New Black (2013-2019), created by Jenji Kohan, in the dissemination of the term Prison-Industrial Complex in contemporary U.S. debates about racism and American identity. This essay argues that Michelle Alexander's book The New Jim Crow (2010) was a crucial influence on the intersectional framework of Kohan’s TV project, which is characterized by an innovative reading of the growing privatization of the U.S. prison system.Riferimenti bibliografici
13th. Ava DuVernay, Kandoo Films, 2016.
Alexander, Michelle. The New Jim Crow: Mass Incarceration in the Age of Colorblindness. New York: The
New Press, 2010.
Cecil, Dawn K. “Looking Beyond Caged Heat: Media Images of Women in Prison.” Feminist Criminology 2.4
(2007): 304-326.
Columbus, Louis. “10 Charts That Will Change Your Perspective of Netflix’s Massive Success in The Cloud.”
Forbes 12 luglio 2018. https://www.forbes.com/sites/louiscolumbus/2018/07/12/10-charts-that-willchange-your-perspective-of-netflixs-massive-success-in-the-cloud/. Tutti i siti visitati il 15 luglio 2019.
Davies, Angela. Race and Criminalization: Black Americans and the Punishment Industry. The Angela Y.
Davis Reader. A cura di Joy James. New York: Blackwell, 1998. 61-73.
Dodge, Calvert, a cura di. A Nation Without Prisons: Alternatives to Incarceration. Lexington: Lexington
Books, 1975.
Doty, Roxanne L. ed Elizabeth S. Wheatley. “Private Detention and the Immigration Industrial Complex.”
International Political Sociology 7.4 (2013): 426-443.
Fernández-Morales, Marta e María Isabel Menéndez-Menéndez. “‘When in Rome, Use What You’ve Got:’ A
Discussion of Female Agency through Orange Is the New Black.” Television & New Media 17.6
(2016): 534-546.
Gennero, Valeria. “Cicatrici: crimine e comunità in Orange Is the New Black.” Raccontare il viaggio. Crimini
di migrazione e narrazioni di resistenza. A cura di Nicoletta Di Ciolla, Anna Pasolini e Nicoletta
Vallorani. Milano: Mimesis, 2018. 147-169.
Higueras Ruiz, María José e Francisco Javier Gómez Pérez. “La impronta del showrunner en las series de
ficción televisiva: El caso de Jenji Kohan.” ZER - Revista de Estudios de Comunicación 22.43 (2017):
219-236. https://www.ehu.eus/ojs/index.php/Zer/article/view/17822.
Hill, Marc Lamont. Nobody: America’s War on Its Vulnerable from Ferguson to Baltimore, Before and
Beyond. New York: Atria Books, 2016.
Jenner, Mareike. Netflix and the Re-Invention of Television. Cham, Switzerland: Palgrave Macmillan, 2018.
Kerman, Piper. Orange Is the New Black: My Year in a Women’s Prison. New York: Spiegel & Grau, 2010.Kilgore, James. Understanding Mass Incarceration: A People’s Guide to the Key Civil Rights Struggle of Our
Time. New York: The New Press, 2015.
Kohan, Jenji. “‘Orange’ Creator Jenji Kohan: ‘Piper Was My Trojan Horse’.” Intervista a cura di Terry Gross.
Fresh Air. NPR, 13 agosto 2013. www.npr.org/2013/08/13/211639989/orange-creator-jenji-kohanpiper-was-my-trojan-horse.
---, showrunner. Orange Is the New Black. Tilted Productions, Lions Gate Television, 2013-2019.
---, showrunner. Weeds. Tilted Productions, Lions Gate Television, Weeds Productions, 2005-2012.
McDonald, Kevin e Daniel Smith-Rowsey, a cura di. The Netflix Effect: Technology and Entertainment in the
21st Century. London: Bloomsbury Academic, 2016.
Moore, Anne. “Anatomy of a Binge: Abject Intimacy and the Televised Form.” Feminist Perspectives on
Orange Is the New Black:Thirteen Critical Essays. A cura di April Kalogeropoulos Householder e
Adrienne M. Trier-Bieniek. Jefferson, North Carolina: McFarland & Company, 2016.
Morris, Julia. “In the Market of Morality: International Human Rights Standards and the Immigration Detention
Improvement Complex.” Intimate Economies: Critical Perspectives on Immigration Detention. A cura di
Deirdre Conlon e Nancy Hiemstra. London: Routledge, 2016.
Pallotta, Frank. “Netflix Added Record Number of Subscribers, but Warns of Tougher Times Ahead.” CNN
Business 17 aprile 2019. https://edition.cnn.com/2019/04/16/media/netflix-earnings-2019-firstquarter/index.html.
Scarpino, Cinzia. “Breaking Back: uno sguardo dal passato, ovvero, note per una genealogia. 1. Back to the
Seventies.” Ácoma 19.3 (inverno 2012): 7-16.
Schlosser, Eric. “The Prison-Industrial Complex.” The Atlantic dicembre 1998.
https://www.theatlantic.com/magazine/archive/1998/12/the-prison-industrial-complex/304669.
Schwartz, Joel. “The Penitentiary and Perfectibility in Tocqueville.” The Western Political Quarterly 38.1
(1985): 7-26.
The Sentencing Project: Research and Advocacy for Women. “Incarcerated Women and Girls.” June 2019.
https://www.sentencingproject.org/wp-content/uploads/2016/02/Incarcerated-Women-and-Girls.pdf.
Spektor, Regina. “You’ve Got Time.” in Orange Is the New Black (Music from the Original Series). Universal
Music Enterprises, 2014.
Stolberg, Sheryl Gay e Astead W. Herndon. “‘Lock the S.O.B.s Up’: Joe Biden and the Era of Mass
Incarceration.” The New York Times 25 giugno 2019. https://www.nytimes.com/2019/06/25/us/joebiden-crime-laws.html.
Wacquant, Loïc. “Foreword: Probing the Meta-Prison.” The Globalization of Supermax Prisons. A cura di
Jeffrey Ian Ross. New Brunswick: Rutgers University Press, 2013. ix-xiv.
Alexander, Michelle. The New Jim Crow: Mass Incarceration in the Age of Colorblindness. New York: The
New Press, 2010.
Cecil, Dawn K. “Looking Beyond Caged Heat: Media Images of Women in Prison.” Feminist Criminology 2.4
(2007): 304-326.
Columbus, Louis. “10 Charts That Will Change Your Perspective of Netflix’s Massive Success in The Cloud.”
Forbes 12 luglio 2018. https://www.forbes.com/sites/louiscolumbus/2018/07/12/10-charts-that-willchange-your-perspective-of-netflixs-massive-success-in-the-cloud/. Tutti i siti visitati il 15 luglio 2019.
Davies, Angela. Race and Criminalization: Black Americans and the Punishment Industry. The Angela Y.
Davis Reader. A cura di Joy James. New York: Blackwell, 1998. 61-73.
Dodge, Calvert, a cura di. A Nation Without Prisons: Alternatives to Incarceration. Lexington: Lexington
Books, 1975.
Doty, Roxanne L. ed Elizabeth S. Wheatley. “Private Detention and the Immigration Industrial Complex.”
International Political Sociology 7.4 (2013): 426-443.
Fernández-Morales, Marta e María Isabel Menéndez-Menéndez. “‘When in Rome, Use What You’ve Got:’ A
Discussion of Female Agency through Orange Is the New Black.” Television & New Media 17.6
(2016): 534-546.
Gennero, Valeria. “Cicatrici: crimine e comunità in Orange Is the New Black.” Raccontare il viaggio. Crimini
di migrazione e narrazioni di resistenza. A cura di Nicoletta Di Ciolla, Anna Pasolini e Nicoletta
Vallorani. Milano: Mimesis, 2018. 147-169.
Higueras Ruiz, María José e Francisco Javier Gómez Pérez. “La impronta del showrunner en las series de
ficción televisiva: El caso de Jenji Kohan.” ZER - Revista de Estudios de Comunicación 22.43 (2017):
219-236. https://www.ehu.eus/ojs/index.php/Zer/article/view/17822.
Hill, Marc Lamont. Nobody: America’s War on Its Vulnerable from Ferguson to Baltimore, Before and
Beyond. New York: Atria Books, 2016.
Jenner, Mareike. Netflix and the Re-Invention of Television. Cham, Switzerland: Palgrave Macmillan, 2018.
Kerman, Piper. Orange Is the New Black: My Year in a Women’s Prison. New York: Spiegel & Grau, 2010.Kilgore, James. Understanding Mass Incarceration: A People’s Guide to the Key Civil Rights Struggle of Our
Time. New York: The New Press, 2015.
Kohan, Jenji. “‘Orange’ Creator Jenji Kohan: ‘Piper Was My Trojan Horse’.” Intervista a cura di Terry Gross.
Fresh Air. NPR, 13 agosto 2013. www.npr.org/2013/08/13/211639989/orange-creator-jenji-kohanpiper-was-my-trojan-horse.
---, showrunner. Orange Is the New Black. Tilted Productions, Lions Gate Television, 2013-2019.
---, showrunner. Weeds. Tilted Productions, Lions Gate Television, Weeds Productions, 2005-2012.
McDonald, Kevin e Daniel Smith-Rowsey, a cura di. The Netflix Effect: Technology and Entertainment in the
21st Century. London: Bloomsbury Academic, 2016.
Moore, Anne. “Anatomy of a Binge: Abject Intimacy and the Televised Form.” Feminist Perspectives on
Orange Is the New Black:Thirteen Critical Essays. A cura di April Kalogeropoulos Householder e
Adrienne M. Trier-Bieniek. Jefferson, North Carolina: McFarland & Company, 2016.
Morris, Julia. “In the Market of Morality: International Human Rights Standards and the Immigration Detention
Improvement Complex.” Intimate Economies: Critical Perspectives on Immigration Detention. A cura di
Deirdre Conlon e Nancy Hiemstra. London: Routledge, 2016.
Pallotta, Frank. “Netflix Added Record Number of Subscribers, but Warns of Tougher Times Ahead.” CNN
Business 17 aprile 2019. https://edition.cnn.com/2019/04/16/media/netflix-earnings-2019-firstquarter/index.html.
Scarpino, Cinzia. “Breaking Back: uno sguardo dal passato, ovvero, note per una genealogia. 1. Back to the
Seventies.” Ácoma 19.3 (inverno 2012): 7-16.
Schlosser, Eric. “The Prison-Industrial Complex.” The Atlantic dicembre 1998.
https://www.theatlantic.com/magazine/archive/1998/12/the-prison-industrial-complex/304669.
Schwartz, Joel. “The Penitentiary and Perfectibility in Tocqueville.” The Western Political Quarterly 38.1
(1985): 7-26.
The Sentencing Project: Research and Advocacy for Women. “Incarcerated Women and Girls.” June 2019.
https://www.sentencingproject.org/wp-content/uploads/2016/02/Incarcerated-Women-and-Girls.pdf.
Spektor, Regina. “You’ve Got Time.” in Orange Is the New Black (Music from the Original Series). Universal
Music Enterprises, 2014.
Stolberg, Sheryl Gay e Astead W. Herndon. “‘Lock the S.O.B.s Up’: Joe Biden and the Era of Mass
Incarceration.” The New York Times 25 giugno 2019. https://www.nytimes.com/2019/06/25/us/joebiden-crime-laws.html.
Wacquant, Loïc. “Foreword: Probing the Meta-Prison.” The Globalization of Supermax Prisons. A cura di
Jeffrey Ian Ross. New Brunswick: Rutgers University Press, 2013. ix-xiv.
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Pubblicato
2019-12-01
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Articoli: sezione monografica
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Copyright (c) 2020 Valeria Gennero
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