Applied Theatre e teatro sociale. L'estetica del teatro fuori dal teatro
DOI:
https://doi.org/10.13136/2281-4582/2014.i3.622Keywords:
Theatre studies, applied theatreAbstract
Il teatro sociale, o applied theatre, rappresenta una forma teatrale che utilizza l’arte come strumento didattico, di redenzione, di sostegno e a volte di cura, sostenendo, sostituendo, contrapponendosi o arricchendo il lavoro di ospedali, scuole, campi profughi, centri diurni, carceri e molte altre realtà al di fuori del teatro ufficiale. La caratteristica del teatro quale forma artistica viva, dialogica, capace di stimolare gli istinti più profondi e mettere in gioco le convinzioni più radicate, s colloca al centro nelle sessioni e negli spettacoli di un teatro che ha scelto di tornare all’essenza, di liberarsi del professionismo ma non della professionalità, per giocare ad essere altro.References
Adorno, Theodor W. Aesthetic Theory. London: Athlone Press, 1997.
Balfour, Michael, a cura di. Theatre in Prison: Theory and Practice. Bristol: Intellect Books, 2004.
---. “The Politics of Intention: Looking for a Theatre of Little Changes”. Research in Drama Education: The Journal of Applied Theatre and Performance14.3 (2009): 347-359.
Bernardi, Claudio. Il teatro sociale. L'arte tra disagio e cura. Roma: Carocci, 2004.
Bezrucka, Yvonne. “Performing Arts/Performance Arts”. Consumer Culture Encyclopedia. 2 voll. New York: Sage Publication, 2011. 1079-1081.
Boal, Augusto. The Aesthetics of the Oppressed. Oxon: Routledge, 2006.
---. Theatre of the Oppressed. London: Get Political, 2008.
Bourdieu, Pierre. La Distinction: critique sociale du jugement. Paris: Editions de Minuit, 1979.
De Man, Paul. Aesthetics Ideology. Minneapolis: University of Minnesota Press, 1996.
Derrida, Jacques. “Economimesis”. Diacritics 11 (1981): 3-25.
Di Giacomo, Giuseppe. “Arte e rappresentazione nella ‘Teoria estetica’ di Adorno”. Cultura tedesca 26 (2004): 103-121.
---. ‘Estetica’. Enciclopedia Treccani (2005). Visitato il 20/08/2013.
Gaut, Berys e McIver Lopes Dominic, a cura di. The Routledge Companion to Aesthetics. London: Routledge, 2001.
Geese Theatre Company. Approach (2012). Visitato il 12/07/2012.
Heathcote, Dorothy. Drama as a Learning Medium. London: Hutchinson 1979.
Kant, Immanuel. Critique of Judgment. 1790. New York: Haffner, 1951.
Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. Oxford: Blackwell, 1980.
Liebmann, Marian, a cura di. Arts Approaches to Conflict. London: Jessica Kingsley, 1996.
Lukács, György. Writer and Critic and Other Essay. London: Merlin Press, 1970.
Mancini, Andrea, a cura di. A scene chiuse. Esperienze di teatro in carcere. Corazzano: Titivillus, 2008.
Nicholson, Helen. Applied Drama: The Gift of Theatre. New York: Palgrave Macmillan, 2005.
Nochlin, Linda. Women, Art, and Power and Other Essays. New York: Harper & Row, 1988.
Ponte di Pino, Oliviero. “Teatro della persona, teatri delle persone. Una riflessione sul teatro sociale e di comunità”. ateatro.it 139.7 (2012). Visitato il 10/03/2013.
Rancière, Jacques. The Politics of Aesthetics. London: Continuum, 2004.
---. The Emancipated Spectator. London: Verso, 2009.
Thompson, James, a cura di. Prison Theatre Perspective and Practice. London: Jessica Kingsley, 1998.
---. Performance Affects. Applied Theatre and the End of Effect. New York: Palgrave Macmillan, 2009.
Thompson, James e Richard Schechner. “Why ‘Social Theatre’?”. The Drama Review 48.3 (2004): 11-16.
Tolstoy, Lev. What is Art?. Indianapolis: Bobbs-Merrill, 1960.
Winston, Joe. “Beauty, Goodness and Education: the Arts beyond Utility”. Journal of Moral Education. 35.3 (2006): 285–300.
---. Beauty and Education. New York: Routledge, 2010.
Wollheim, Richard. “Sociological Explanation of the Arts: Some Distinctions”. The Sociology of Art and Literature. A cura di Albrecht M. C., Barnett J. H. e Griff M. London: Duckworth, 1970. 574-581.
Balfour, Michael, a cura di. Theatre in Prison: Theory and Practice. Bristol: Intellect Books, 2004.
---. “The Politics of Intention: Looking for a Theatre of Little Changes”. Research in Drama Education: The Journal of Applied Theatre and Performance14.3 (2009): 347-359.
Bernardi, Claudio. Il teatro sociale. L'arte tra disagio e cura. Roma: Carocci, 2004.
Bezrucka, Yvonne. “Performing Arts/Performance Arts”. Consumer Culture Encyclopedia. 2 voll. New York: Sage Publication, 2011. 1079-1081.
Boal, Augusto. The Aesthetics of the Oppressed. Oxon: Routledge, 2006.
---. Theatre of the Oppressed. London: Get Political, 2008.
Bourdieu, Pierre. La Distinction: critique sociale du jugement. Paris: Editions de Minuit, 1979.
De Man, Paul. Aesthetics Ideology. Minneapolis: University of Minnesota Press, 1996.
Derrida, Jacques. “Economimesis”. Diacritics 11 (1981): 3-25.
Di Giacomo, Giuseppe. “Arte e rappresentazione nella ‘Teoria estetica’ di Adorno”. Cultura tedesca 26 (2004): 103-121.
---. ‘Estetica’. Enciclopedia Treccani (2005). Visitato il 20/08/2013.
Gaut, Berys e McIver Lopes Dominic, a cura di. The Routledge Companion to Aesthetics. London: Routledge, 2001.
Geese Theatre Company. Approach (2012). Visitato il 12/07/2012.
Heathcote, Dorothy. Drama as a Learning Medium. London: Hutchinson 1979.
Kant, Immanuel. Critique of Judgment. 1790. New York: Haffner, 1951.
Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. Oxford: Blackwell, 1980.
Liebmann, Marian, a cura di. Arts Approaches to Conflict. London: Jessica Kingsley, 1996.
Lukács, György. Writer and Critic and Other Essay. London: Merlin Press, 1970.
Mancini, Andrea, a cura di. A scene chiuse. Esperienze di teatro in carcere. Corazzano: Titivillus, 2008.
Nicholson, Helen. Applied Drama: The Gift of Theatre. New York: Palgrave Macmillan, 2005.
Nochlin, Linda. Women, Art, and Power and Other Essays. New York: Harper & Row, 1988.
Ponte di Pino, Oliviero. “Teatro della persona, teatri delle persone. Una riflessione sul teatro sociale e di comunità”. ateatro.it 139.7 (2012). Visitato il 10/03/2013.
Rancière, Jacques. The Politics of Aesthetics. London: Continuum, 2004.
---. The Emancipated Spectator. London: Verso, 2009.
Thompson, James, a cura di. Prison Theatre Perspective and Practice. London: Jessica Kingsley, 1998.
---. Performance Affects. Applied Theatre and the End of Effect. New York: Palgrave Macmillan, 2009.
Thompson, James e Richard Schechner. “Why ‘Social Theatre’?”. The Drama Review 48.3 (2004): 11-16.
Tolstoy, Lev. What is Art?. Indianapolis: Bobbs-Merrill, 1960.
Winston, Joe. “Beauty, Goodness and Education: the Arts beyond Utility”. Journal of Moral Education. 35.3 (2006): 285–300.
---. Beauty and Education. New York: Routledge, 2010.
Wollheim, Richard. “Sociological Explanation of the Arts: Some Distinctions”. The Sociology of Art and Literature. A cura di Albrecht M. C., Barnett J. H. e Griff M. London: Duckworth, 1970. 574-581.
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2014-06-01
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Articles (general section) - British and Postcolonial literatures in English
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